Well, if you follow the blog with any regularity, you'll know I've been AWOL. Seems it started with the beginning of the three-part demonstration. We had 22 students, both painters and lay people. It was quite an adventure, and it's my intention to post about it one day.
Further to that subject, I've been asked when the next one will be. I've scheduled it for the 10th, 17th & 24th of January (9 a.m.-1 p.m. each day). You may sign up for fewer than three sessions, but I think you'd benefit the most from all three. Because Sarajean is recuperating this month, you should register with me, instead: email@example.com. We will have even more interested non-artists this time, so feel free to spread the word to those who might enjoy it.
We'll need the 3-part as an antidote to the cruel blasts of winter (if you're like me, the creativity slows. Let's jump start it!)
My thanks to all who wrote about the difference the demos made to their own ideas and to their work. It's very heartening to me to hear of these epiphanies, and it certainly made my time recovering in the sanatorium easier.
I also have been essaying some other paintings. First, I painted, almost straight out, a 30x24 anticipating February. I wanted to capture the complete hush that falls across the landscape when it begins to snow. Here's the result (a rather poor phone shot, overlit at the top----oh, well).
I also played around with a 12x14" piece of canvas, taped to a board. It turned out to be a squall.
I have become a devotee of Instagram. It's an easy way to post some photos quickly, and to just as quickly get some feedback from artists I know all across the country and even beyond. It's easy to sign up. For me it's fun because I'm in touch with a number of my confederates at Arcadia Contemporary.
Here's a photo which the director of Arcadia's satellite space at The Four Seasons Hotel in New York posted on Instagram. Seems the cleaner was momentarily beguiled.
I posted a photo of a drawing I own. I bought the drawing at a vide-grenier (tag sale) when we lived in France. It was in the midst of a pile of miscellaneous, printed papers. The sign said 2 euros. So I casually paid the vendor and made off with my treasure.
Anyway, as I was saying, I posted a phone shot of the drawing on instagram, trying to get a sense of the date of the the uniform and the rifle. Several people managed to place the soldier and his rifle at the time of the Crimean war.
One of the new painters I've met on Instagram is Jon Hayes. I suggested to Jon that we try to make paintings of him, utilizing the drawing of our long-dead fellow artist. For most of a week we've been posting our progress back and forth, and receiving comments from other artists. All in all, it's been great fun (though somewhat harrowing because of my lack of figure skills). Here's the drawing (about 20" x 12"):
Jon did a very credible job of his study. Perhaps because I'm a landscape painter, I felt impelled to put him in a setting. I imagined his location (somewhere in the Crimea!) and set about making a painting that tried to borrow from my first hero, N. C. Wyeth). It has much wrong with it, but it does have an 'atmosphere'. This is its current state (25"x20"):
In fact, Jon and I have agreed to try a painting illustrating another event. We've called it "Chapter Two: The Ambush". This time we don't have a drawing to help us from our 19th c. artist friend. We each will interpret the where and what for ourselves. Wish us luck.
Penultimately, two students have been badgering me (yes, that's the correct word) to do some sessions which are just critiques. I've said that I'd consider it. If you should want to be involved in these, and can withstand my withering comments(!), let me know. I'll pass your interest on to Gloria and Pat who are organizing it.
Finally, there are those who'd like to have a weekly painting class, in which you paint(!), to get us through the winter. If you're someone who'd like to do that, please write to me at firstname.lastname@example.org